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11 Ne. J. Legal Stud. 1 (2003)
Evolution of Moral Rights in the U.S. Copyright Law: The Twin Inheritance of Natural Rights and Statutory Construction

handle is hein.journals/neastjol11 and id is 8 raw text is: 
1 / Vol. 11 / North East Journal of Legal Studies


       EVOLUTION OF MORAL RIGHTS IN U.S.
                        COPYRIGHT LAW:
      THE  TWIN  INHERITANCE OF NATURAL RIGHTS
            AND  STATUTORY CONSTRUCTION+

                             by

              Roy J. Girasa* and Vincent Puma**


                     I. INTRODUCTION

   Monty  Python, a well-known  comedic group  famous for its
popular television program, known  as Monty  Python 's Flying
Circus,' and for a number of movies that poke fun at establishment
icons, became a litigant in a copyright dispute when the group
refused to allow an American distributor to alter its programming.
The  case raised the issue of the right of an author to prevent
mutilation2 and other distortions of his or her creation. The original
agreement between the Monty Python  and the BBC had provided
that the group would deliver scripts to the BBC for its use in
national broadcasts. The agreement further detailed the procedure
to be followed in the event of script alterations prior to broadcast.
BBC   had final approval of the script, although any significant
changes had  to be made  after consultation with the group. No
alterations were to be made after the program had been recorded.
Subject to the said agreement, the Monty Python group had all
rights to the script.

   BBC   was  given  the right by  the group  to license the
transmission of the television series globally.3 In October 1973,
Time-Life was given the right to distribute some BBC programs in



*  Professor of Law, Lubin School of Business, Pace University,
Pleasantville, New York. E-mail: rgirasa@pace.edu
**Adjunct Associate Professor of Law, Lubin School of Business,
Pace University, Pleasantville, New York
'Winner of the Hoehlein Award for Distinguished Paper 2003

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