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9 JIJIS iii (2009)

handle is hein.journals/jijis9 and id is 1 raw text is: 




Contents


M essage  from   the  D irector  ............................................................................................ v
M essage  from   the  Editors  .........................................................................................  vi

Plenary Session Papers

CRIME AND POPULAR CULTURE: THEORY AND METHOD
J eff  F e rre ll ......................................................................................................................  1

FROM HIP-HOP TO HATE ROCK: A CRIMINOLOGY OF THE GOOD,
THE BAD, AND THE TRULY AWFUL
M a rk  H am m   ................................................................................................................. 11

BRUCE SPRINGSTEEN, SOCIAL JUSTICE, AND THE POWER OF MUSIC
C raig  H em m ens  .......................................................................................................  19

EVIDENTIARY PRESENTATIONS AND FORENSIC TECHNOLOGIES IN THE
COURTROOM: THE DIRECTOR'S CUT
V incenzo  A . S ainato  ..............................................................................................  38

SOCIAL JUSTICE AND SOCIAL CONTEXT IN THE MUSIC OF JOHNNY CASH
Kenneth Tunnell &  M ark  Ham m  ..............................................................................  53


Panel Session Papers

VIOLENT APPALACHIA: THE MEDIA'S ROLE IN THE CREATION AND
PERPETUATION OF AN AMERICAN MYTH
Viviana  Andreescu  &  J. Eagle  Shutt  ......................................................................  62

THE STUDENTS' PERCEPTION OF SEXUAL HARASSMENT AND SEXUAL
ASSAULT DEMONSTRATED IN A STUDY OF DIFFERENT COMMUNICATION
FORMS BETWEEN THE BOOK CLASS ACTION: THE STORY OF LOIS
JENSEN AND THE LANDMARK CASE THAT CHANGED SEXUAL
HARASSMENT LAWAND ITS FILM ADAPTATION NORTH COUNTRY
T e-chuan  C hang  ......................................................................................................  76

RIPPED FROM THE HEADLINES: THE USE OF REAL CRIME IN LAW& ORDER
M arti C ecilia  C ollins  ...............................................................................................   88

HIP-HOP, NARCOCORRIDO, AND NEO-NAZI HATE ROCK: A COMPARISON OF
ALIENATED CRIMINAL GROUPS
G regg  W . Etter, S r ..................................................................................................   98

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