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23 Fordham Intell. Prop. Media & Ent. L.J. 396 (2012-2013)
Who Owns Your Body Art: The Copyright and Constitutional Implications of Tattoos

handle is hein.journals/frdipm23 and id is 404 raw text is: Who Owns Your Body Art?: The
Copyright and Constitutional
Implications of Tattoos
Meredith Hatic*
INTRODUCTION         .............................................397
1.  COPYRIGHT LAW UNDER THE COPYRIGHT ACT OF
1976   ....................     .............. 400
A. Policy Underlying the Copyright Act..................... 400
B. Classifying the Work........         ............. 401
C. Determining Ownership...........       ............. 402
D. Exclusive Rights     ............................ 405
1. The Right to Reproduce              ................ 405
2. The Right to Prepare Derivative Works........... 406
3. The Right to Distribute  ...........       ..... 407
4. The Rights to     Perform   Publicly  and to
Display Publicly............            ......... 407
5. The Rights of Certain Authors to Attribution
and Integrity..................... 408
E. Fair Use as a Defense ................... 409
F. Remedies                       ............................. 410
G. Actual Damages       ...................   ..... 410
H. Statutory Damages      ................      ...... 411
L  Injunctive Relief         ................   ....... 412
II. CONFLICTS OF INTERESTS               ......................... 413
A. Two Infringement Scenarios              ............... 413
B. Tattoos, Copyrights, and the Courts .....   ..... 413
J.D. Candidate, Fordham University School of Law, May 2013; B.B.A., University
of Miami, 2010. Many thanks to Ryan Fox and Tiffany Miao for their dedication and to
Sasha Segall, Hannah Steinblatt, and the rest of the IPLJ staff for their hard work and
thoughtful contributions to this Note. Thank you to Professor Joel Reidenberg for his
guidance and insight. Special thanks to my family and friends for their unwavering
patience and support.

396

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