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22 Tex. Rev. Ent. & Sports L. 37 (2021)
Bringing the News from Ghent to Axanar: Fan Works and Copyright after Deckmyn and Subsequent Developments

handle is hein.journals/tresl22 and id is 47 raw text is: Bringing the News from Ghent to Axanar: Fan Works and Copyright after Deckmyn and Subsequent Developments Aaron Schwabach' TABLE OF CONTENTS INTRODUCTION ......................................... 37 HISTORICAL BACKGROUND ................................ 40 FAN WORKS: THE NEW VOYAGES ......................... 41 STORY ELEMENTS AND COPYRIGHT ......................... 44 WHAT PARTS OF A STORY ARE PROTECTED BY COPYRIGHT? ................................... 48 CULTURAL APPROPRIATION AND RECLAMATION ............. .51 MURALS AS FAN ART ... ................................ 56 THE GROUND FAN CREATORS HAVE LOST IN THE PAST DECADE ..................................... 59 DECKMYN: INTERNATIONAL DIFFERENCES AND POLITICAL EXPRESSION ....................................... 60 STAR TREK - AXANAR .................................... 72 CONCLUSION ............................................. 82 INTRODUCTION Fan works - works created by consumers of other works and incorporating elements of those consumed works - offer a lens through which to view the complex future of copyright law. For a number of reasons, including the ongoing crisis in copyright law, changes in the way we consume copyrighted content, and increas- ing interest in fandom itself, there has been an explosion in academic interest in fan works. After Rebecca Tushnet's pioneer- 1. Associate Professor of Law, William H. Bowen School of Law, University of Arkansas at Little Rock. J.D., Berkeley Law. 37

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