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10 Geo. J. Int'l Aff. 101 (2009)
The Hindutva View of History: Rewriting Textbooks in India and the United States

handle is hein.journals/geojaf10 and id is 109 raw text is: 

Culture&Society


The Hindutva View of History

Rewriting Textbooks in India and the United States


Kamala Visweswaran, Michael Witzel, Nandini

Manjrekar, Dipta Bhog, and Uma Chakravarti


When   Hindu   nationalist (or Sangh  Parivar) organiza-
tions in India came to power at the national level in 1998,
one  of the first things they did was to establish a National
Curriculum  Framework  (NCF)  to change textbook content.
The  2000   NCF  curriculum  debate reflected the intense
conflict between competing visions of national identity that
had  dominated  India's public and political discourse over
the previous two decades. In a significant departure from
earlier curriculum frameworks  of 1972  and  1986, which
stressed democratic  values, social justice, and national
integration through appreciation of the commonalities  of
different subcultures, the principal focus of the NCF was
value education.' The chief end of history, as of education
as a whole, was presented as the development of a national
spirit and national consciousness  through  generating
pride in the younger generation regarding India's past and
its unique religio-philosophical ethos, which was presented
as primarily Hindu.' These actions were vociferously chal-
lenged by academics and progressive, secular, liberal, or left
groups who decried the Sangh Parivar's ideological efforts to
recast history.
  In the summer   and fall months of 2005, U.S. Hindu


KamalaVisweswaran
is an associate profes-
sor of anthropology at
the University ofTexas,
Austin.
Michael WitzeI isa
professor of Sanskrit at
Harvard University.
Nandini Manjrekar is
n assosriate professor
ashe Tata Institue of
Social Sciences, Mum-
bai.
Dipta Bhog is a n-
direosor of Nirantor: A
Centre for Gender and
Education in Delhi.
Uma Chakravarti is
professor emeritus of
history at the Miranda
House at Delhi Uni-
versity.


Winter/Spring 2009 [Iol]

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