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17 Europolity: Continuity & Change Eur. Governance 5 (2023)
Artists at War

handle is hein.journals/eurpol17 and id is 237 raw text is: EUROPOLITY, vol. 17, no, 2, 2023 ARTISTS AT WAR Silviu ANGHEL Faculty of History, University of Bucharest Bucharest /Romania Alexandra ZBUCHEA National University of Political Studies and Public Administration Bucharest /Romania Abstract At least since Antiquity, art and war have interfered. The most common aspect to consider is the propaganda associated with it. At the same time, artists took a stand for/against certain wars (or the concept of war) according to their personal values, beliefs, and experiences. The first part of the paper investigates how arts, war, and propaganda intertangled during the past two millennia. The Second World War, the most complex one to this date with globally diverse implications, seems to prove most how important artists are involved in times of war. This paper investigates how artists reacted to war and propaganda during the past two millennia. It includes a case study that analyzes the Russian aggression in Ukraine through the eyes of various artists. It follows how Russian, Ukrainian, and foreign artists responded to this shocking event. As expected, many Russian artists are supporting the war, on various grounds: they fear negative consequences, they believe the official perspective and propaganda, etc. Nevertheless, Russian artists - still living in Russia or who left the country immediately after the beginning of the war in Ukraine - are an important opposition voice despite the risks they take to express their views. It is even more relevant since the common political lines of action seem not to be possible in present-day Russia. As expected, most Ukrainian artists are publicly expressing their opinions against the war. Their art has benefited from wider attention than previously, especially in the EU, where many of them live as and Change in European

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