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80 Mo. L. Rev. 313 (2015)
Notice and Remedies in Copyright Licensing

handle is hein.journals/molr80 and id is 317 raw text is: 






          MISSOURI LAW REVIEW

 VOLUME80                       SPRING 2015                    NUMBER 2




 Notice and Remedies in Copyright Licensing

                                 BJArd

      Copyright owners claim the power to designate practically any term of a
 copyright license as a condition enforceable in copyright. In doing so,
 these licensors purport to translate breach of the most trivial or idiosyncratic
 term into the basis for a copyright infringement suit. This Article argues that
 these licenses are most problematic when licensors provide inadequate notice
 of unexpected terms. License conditions are typically buried in boilerplate
 that no reasonable consumer reads, and licensors have few incentives to
 make them more salient. These circumstances not only threaten unwitting
 users with copyright liability, but also impede copyright's own goals by cast-
 ing doubt on the legitimacy of the copyright regime and discouraging the
 public's engagement with creative works. Copyright law nonetheless offers
 courts no effective tools to inquire into the adequacy of notice.
     Because these agreements arise at a unique intersection of copyright
 and contract, however, contract law supplies a normative and doctrinal
 framework that allows courts to demand more effective notice. Contract law
 is skeptical of supracompensatory remedies - like those that would follow
 from enforcement of a license condition - and awards them only where un-
 derstanding and assent are clear. Courts therefore ought to require a height-
 ened standard of notice as a prerequisite to the enforcement of license terms
 in copyright. This approach would check against licensors' overreaching. At
 the same time, it would leave room for parties to experiment with unusual but
 potentially beneficial licensing arrangements like those championed by the
free culture and free software movements. By bringing novel licensing ar-
rangements to light, moreover, this approach subjects licenses to public scru-
tiny and to discipline through market and political forces.

  Ph.D. Candidate in Law, Yale University; Resident Fellow, Information Society
Project at Yale Law School. I thank Ian Ayres, Jack Balkin, Maureen Brady, Kiel
Brennan-Marquez, Richard R.W. Brooks, Brad Greenberg, James Grimmelmann,
Christine Jolls, Margot Kaminski, Amy Kapczynski, Michael Kenneally, Christina
Mulligan, David Nimmer, Andrew Tutt, and Rory Van Loo for their generous feed-
back on this Article, along with the participants at the 2014 Works-in-Progress Intel-
lectual Property Colloquium, the 2014 IP Scholars Roundtable at Drake Law School,
the Cyberscholars Working Group, and the Yale ISP Fellows Workshop. All errors
and omissions are my own.

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