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16 PLL Persp. 1 (2004-2005)

handle is hein.lbr/aaplper0016 and id is 1 raw text is: THE QUARTERLY OF THE PRIVATE LAW LIBRARIES SiS OF THE AMERICAN ASSOCIATION OF LAW LIBRARIES  Volume 16 Issue 1
BJMB LING IN BOSTON:
MY FIRS1EXPERIENCE ATTHE                     AAI       CONVENTION
by Jennifer Schroth Tusche, Drinker Biddle & Reath
Philadelphia, PA

The 2004 AALL convention in Boston was not only
my first trip to Boston but also my first real experience of
the AALL convention. To be honest, this was my first
convention ever! I arrived a day in advance to allow a little
time to enjoy the city before diving into the hefty schedule
I had devised for myself. I must say, I absolutely loved
visiting Boston. I strolled through some of the lovely
gardens, browsed various shops and went on one of the
historic Boston trolley tours. I even had the opportunity to
attend a Red Sox game, which was high on my list of
activities. Being in Fenway Pa-a-a-rk with its rich baseball
history and the huge, energetic crowd was definitely a
memorable experience. I have never had so much fun at a
baseball game.
To be truthful, the convention is a bit overwhelming to
a first-timer. My original schedule, consisting of days
packed with various lectures, exhibits, lunches, dinners
and tours somewhat went out the window by the end of the
second day. There was just no way I could do everything I
had originally planned on doing. One of my major
frustrations was that most things that I wanted to attend
were held at the same time. Nw this was a dilemma. At
first I tried juggling. If there were two lectures I wanted to
hear, I would go to one then leave half way through to
catch the last half of the other. When there were two
events going on at the same time that I felt I really must
attend, I did the same thing. Thus, in the first few days I
felt like I was constantly on the run and I should have
brought my sneakers instead of my fashionable high-
heeled sandals. I quickly realized that this plan was not
going to work, especially since I felt I was losing out by
not being able to stay to finish hearing some very
interesting presentations.
There were several lectures I attended that provided me
with useful and insightful information. I tended to focus
my attention on the information technology series of

programs      offered.     One      such     lecture,
CreativeCommons. org: Publishing in the Digital Age was
not quite what I expected. I went to the lecture mistakenly
thinking it was going to discuss the types of digital
projects librarians undertake. Instead, it dealt primarily
with copyright issues in the digital age and how librarians
are constantly struggling with what is or is not acceptable
under this law. The first speaker, Elisabeth M. Long, from
the University of Chicago Library, presented the law
librarians' side in dealing with copyright. Because
librarians have the responsibility to celebrate as well as
safeguard the process of sharing information, copyright
laws tend to cause librarians much frustration since these
laws tend to keep our hands tied. Librarians are in turmoil
because we not only want to abide by the law, but we also
want to do our job, which is to provide our users with all
the information they need. Strictly copyrighted materials
frequently prevent us from doing this. Librarians recognize
the barriers between making works available, safeguarding
access and protecting authorship rights. Due to the fact that
debate over creative control often leans toward the
extreme, a group of cyber law and intellectual property
experts  founded   CreativeCommons,   which   is  an
organization that devotes its time to increasing the range of
available works so that others can share and build upon
them. The speaker from CreativeCommons, Glen Otis
Brown, stated that they are using private rights to create
public goods. The expansion of intellectual protection is
leaving fewer and fewer creative works in the public
domain. Consequently, CreativeCommons tries to offer
creators a way to utilize a best of both worlds approach
that will not only protect a creator's work, but also
encourage certain uses of it. They call it to declare some
rights reserved.  According  to  Glen  Brown, their
fundamental goal is to promote a culture of sharing,
creative interaction and public education.

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