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19 Wash. J. L. Tech. & Arts 1 (2024)

handle is hein.journals/washjolta19 and id is 1 raw text is: 

                  WASHINGTON JOURNAL OF LAW, TECHNOLOGY & ARTS
                           VOLUME 19,   ISSUE 1 - WINTER   2024


                           LIMITS  OF  ALGORITHMIC FAIR USE


                   Jacob Alhadeff', Cooper  Cuene  2, and Max Del Real 3



                                        ABSTRACT

       In this article, we apply historical copyright principles to the evolving state of text-to-
image  generation  and explore  the implications of emerging   technological constructs for
copyright's fair use doctrine. Artificial intelligence (Al) is frequently trained on copyrighted
works, which usually involves extensive copying without owners' authorization. Such copying
could constitute prima facie copyright infringement, but existing guidance suggests fair use
should apply  to most machine  learning contexts. Mark Lemley  and Bryan  Casey  argue that
training machine  learning  (ML)  models   on copyrighted  material should  generally be
permitted under fair use when the model's outputs transcends the purpose of its inputs. Their
arguments  are compelling  in the  domain  of Al, generally. However,   contemporary  AI's
capacity to generate new  works  of art (generative Al) presents a unique case because it
explicitly attempts to emulate the expression copyright intends to protect. Jessica Gillotte
concludes that generative Al does not illicit copyright infringement because judicial guidance
requires adherence to the constitutional imperative to promote the creation of new works when
technological change blurs copyright's boundaries. Even if infringement does occur, Gillotte
finds that fair use would serve as a valid defense because training an Al model transforms the
original work  and is unlikely to damage   the original artist's market for the copyrighted
work.  Our paper deviates from prior scholarship by exploring specific generative Al use cases
in technological detail. Ultimately, we argue that fair use's first factor, the purpose of the use,
and its fourth factor, the impact on the market for the copyrighted work, both weigh against a
finding of fair use in generative Al use cases. However, even if text-to-image models aren't
found to be transformative, we argue that the potential for market usurpation alone sufficiently
negates fair use.
       There  is presently little specific guidance from courts as to whether using copyrighted
works  to build generative Al  models  constitutes either infringement or fair use, although
several related lawsuits are currently pending. Text-to-art generative AIs  present several
scenarios that threaten substantial harm to the market for the copyrighted original, which tends
to undercut the case for fair use. For example, a generative Al trained on copyrighted works
has already enabled users to create works in the style of' individual artists, which has allegedly
caused business and reputational losses for the emulated copyright holder. Furthermore, past
analyses have ignored  the potential for a model to be non-transformative when its intended
output has the same purpose and is of the same nature as its copyrighted inputs.

1 Incoming Associate, Betts Patterson & Mines, 2024; J.D., University of Washington School of Law, 2024;
Washington Journal of Law Technology & Art; B.A. The Evergreen State College, 2017.
2 J.D. Candidate, University of Washington School of Law, Class of 2024. B.S., University of Washington,
2021, Chief Articles Editor, Washington Journal of Law, Technology, and the Arts. This author would like to
extend his thanks to Professors Ryan Cato and Zahr K. Said for their assistance in developing the thesis for this
article and guiding our research and analysis throughout.
3 J.D. Candidate, University of Washington School of Law, 2024; Washington Law Review, Executive Articles
Editor; B.S., Stanford University, 2011; M.S., Stanford University, 2012. We would like to thank Professors
Ryan Cato and Zahr Said for their support and feedback throughout the drafting process. We're also grateful to
the 2023 IP Works In Progress Conference attendees for their encouragement. Finally, thank you to Kiara
Hildeman and the wonderful editors at WJLTA for helping us finalize the Article.

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