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12 UCLA Ent. L. Rev. [i] (2004-2005)

handle is hein.journals/uclaetrlr12 and id is 1 raw text is: UCLA ENTERTAINMENT
LAW REVIEW
Volume 12                   Issue 1                   Fall 2004
ARTICLES
Writers Gone Wild: The Muse Made Me Do It as a Defense
to A Claim of Sexual Harassment
D aniel  E.  Eaton  .............................................  1
In this article San Diego attorney Daniel Eaton argues that the California
Supreme Court should consider recognizing a creative privilege defense to
claims of sexual harassment when it reviews the case of a former writers'
assistant on the hit sitcom Friends. The author contends that such a privilege
would be rooted in well-recognized statutory privileges, such as the privilege
that applies to statements related to litigation and other official proceedings.
The author concludes the article by identifying, without answering, a series of
hard questions courts developing such a privilege would eventually have to
address, such as whether a creative privilege should be limited to the arts
and entertainment fields or should instead be applied to the creative aspects of
virtually any workplace setting.
Are Musical Compositions Subject to Compulsory Licensing
for Ringtones?
M ario  F. Gonzalez, Esq .....................................  11
With the advent of mastertones-ring tones derived from popular sound
recordings-ringtone companies find themselves squeezed between royalties
being charged by record companies that own the sound recordings and music
publishers that own the underlying musical compositions. This article
examines whether the ringtone companies may use Section 115 of the
Copyright Act to obtain a compulsory license for the reproduction and
distribution of ringtones containing musical compositions. The royalty under a
compulsory mechanical license is much less than the royalty music publishers
are currently charging ringtone companies. Multiplied by millions in potential
ringtone sales, the difference in the royalty rates to all interested parties would
be enormous. The ringtone companies should, therefore, assume that the
music publishers will vigorously take the position that Section 115 does not
apply to ring tones.

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