About | HeinOnline Law Journal Library | HeinOnline Law Journal Library | HeinOnline

17 Stan. Tech. L. Rev. 1 (2013-2014)

handle is hein.journals/stantlr17 and id is 1 raw text is: 












     PROGRESS AND COMPETITION IN DESIGN


                            Mark P. McKenna*
                       Katherine J. Strandburg**


                    CITE AS: 17 STAN. TECH. L. REv. 1 (2013)
                http://stlr.stanford.edu/progressandcompetition.pdf

                                    ABSTRACT

         This Article argues that applying patent-like doctrine to design makes sense
    only for a design patent system premised on a patent-like conception of
    cumulative progress that permits patent examiners and courts to assess whether a
    novel design reflects a nonobvious step beyond the prior art. If there is a
    meaningful way to speak of such an inventive step in design, then design patent
    doctrine should be based on that conception. But if nonobviousness has no
    sensible meaning in design, then a patent system cannot work for design. At
    present, design patent doctrine is in disarray because it is unmoored from any
    conceptual underpinnings. Design patents are not needed to incentivize
    technological innovation, because that kind of innovation is the subject of utility
    patent law. Because aesthetic expression is not susceptible of an Inventive step 
    judgment, progress in aesthetic expression is not appropriately incentivized by a
    patent-like system. Indeed, copyright long has rejected the very possibility of
    incentivizing aesthetic progress with a creative step requirement because it
    has found no metric along which to measure aesthetic progress.
         If there is any type of cumulative progress to be sought in design it must
    therefore involve the interplay between aesthetics and utilitarian function.
    Aesthetics and utility intersect at the integration ofform and function and that, we
    argue, is where design patents must be justified, if they can be justified at all.
    Once stated, this point is intuitively appealing. The integration of form and
    function is what distinguishes industrial design both from purely artistic
    expression (for which we have copyright) and from technological invention (for
    which we have utility patent). The converse also follows: if there is no workable
    means to assess the nonobviousness of a given design 's integration ofform and


* Associate Dean for Faculty Development, Professor of Law, and Notre Dame Presidential
Fellow, Notre Dame Law School. Professor McKenna thanks Rachael Nave for her excellent
research assistance.
** Alfred B. Engelberg Professor of Law, New York University School of Law. Professor
Strandburg acknowledges the generous support of the Filomen D'Agostino and Max E.
Greenberg Research Fund.

What Is HeinOnline?

HeinOnline is a subscription-based resource containing thousands of academic and legal journals from inception; complete coverage of government documents such as U.S. Statutes at Large, U.S. Code, Federal Register, Code of Federal Regulations, U.S. Reports, and much more. Documents are image-based, fully searchable PDFs with the authority of print combined with the accessibility of a user-friendly and powerful database. For more information, request a quote or trial for your organization below.



Short-term subscription options include 24 hours, 48 hours, or 1 week to HeinOnline.

Contact us for annual subscription options:

Already a HeinOnline Subscriber?

profiles profiles most