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6 Rev. Econ. Rsch. on Copyright Issues 1 (2009)

handle is hein.journals/rvwoecrh6 and id is 1 raw text is: 













      Review of Economic Research on Copyright Issues, 2009, vol. 6(1), pp. 1-11


           PROFITABLE PIRACY IN MUSIC INDUSTRIES


                       KOJI  DOMON   AND  TRAN  DINH  LAM


        ABSTRACT.  This paper considers how optimal copyright enforcement is af-
        fected by the development of those media industries promoting musicians. Ac-
        counting for situations in both developing and developed countries, we point
        out two cases, a strictly convex and a strictly concave profit function with re-
        spect to the level of copyright enforcement. In the first case a copyright holder
        prefers a minimal level of enforcement under immature media industries, and
        a maximal level of enforcement under mature ones. This means that opti-
        mal copyright enforcement switches from minimum to maximum along with
        the development of media industries. In the second case, optimal copyright
        enforcement gradually increases concomitant with the development of media
        industries. If there are various levels of singers, a conflict regarding optimal
        copyright enforcement among them is more sever in a convex case than in a
        concave one.




                                1. INTRODUCTION

   In most developing countries, copyright infringement is problematic with almost

no  enforcement.'  From  the standpoint  of developed  countries, such a situation

appears to damage   copyright holders as well as consumers by resulting in less con-

tent. Policymakers in developed  countries consider strict copyright enforcement to

be beneficial for developing countries, as well as for themselves, by preventing their

content being illegally supplied to developing countries.

   Domon   and Nakamura   (2007)2 did field work on this problem for three years in

Vietnam,  which  joined the WTO   in 2007.  Domon   and  Nakamura   conclude that,

as far as domestic music  copyright holders are concerned, copyright infringement

did not  damage  but  rather increased their profits. Although  a few  top singers

complained  of pirated CDs and DVDs,   most singers felt that piracy brought people

to their performances as a main source of their earnings, that is, piracy played a role

as a form of promotion. Behind  such a phenomenon,  we must  consider the situation

of media industries in developing countries. Unlike developed countries with their

This paper was supported by Okawa Foundation and Grants-in-Aid for Scientific Research for the
Promotion of Science ((B) 20402034) in Japan. We would like to thank an anonymous referee for
helpful comments.
'See Business Software Alliance (2007).
2See Domon and Nakamura (2007) concerning the situtation of piracy in Vietnam. They explain
how piracy played a role in promotion and that P2P was unpopular.
                                         I

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