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16 Rev. Econ. Rsch. on Copyright Issues 1 (2019)

handle is hein.journals/rvwoecrh16 and id is 1 raw text is: 















Review of Economic  Research on Copyright Issues, 2019, vol. 16(1/2), pp. 1-39


          THE U.S. COPYRIGHT TERMINATION LAW, ASYMMETRIC
                    INFORMATION, AND LEGAL UNCERTAINTY


                                         MICHAEL   KARAS


        ABSTRACT.  This paper investigates the conflict between authors and their publishers that occurs
        as a result of publishers using an ambiguous work made for hire clause to sue the author for
        copyright infringement. A Bayesian signaling model allows a publisher to send an informative
        signal to the uninformed author that includes his reaction towards a license termination to
        induce termination deterrence. The model is used to examine the effectiveness of the statutory
        intervention. The results reveal that complete termination deterrence is an equilibrium outcome
        only if a publisher sues with certainty. The mere threat to sue is not sufficient for complete
        termination deterrence. Under most parameter settings, the results indicate positive termination
        probabilities. The highest probability for a neutral publisher type is obtained in situations where
        an author has weak outside options or is strongly dependent on his publisher. An author with
        valuable outside options increases the probability that a publisher will threaten to pursue legal
        action. If courts tend to favor authors, then termination incentives increase, which may lead to
        more friction between authors and their publishers.






                                       1. INTRODUCTION


   In 2015, the core  copyright industries  in the U.S., i.e., industries whose purpose  is to cre-

ate, produce,  distribute  or exhibit copyright  materials,  extended   the GDP   by  $1.2 trillion

dollars, which   accounts  for 6.88%   in relative measures   (Siwek,  2016).  Licensing   plays a

significant role in these industries  because  authors  license their creative goods  to interme-

diaries, such as publishers,  who  manage   their economic   successes  (Caves,  2000).  Evidence

shows  that  older licenses become   more   and  more  valuable  in most  markets   because  back

catalogs  provide   a dependable bottom line for profitability and stability to publishers


I would like to thank Oliver Englisch, Luigi Franzoni, Ansgar Wohlschlegel (SIDE in Rome 2017); George Barker,
Jonas Severin Frank, Wolfgang Kerber, Nicola Searle (EALE in London 2017); Shubha Ghosh, Sven Hoeppner
(GLEA  in Marburg 2017); Olivier Bomsel, Christian Handke, Paul Heald, Will Page, David Safir, Matthew Sag,
Clemente SAnchez, Gerry Wall (SERCIAC in Turin 2017); Susana Martfinez, Mireia Artigot Golobardes (AEDE in
Madrid 2017) and Jennifer Powers for their helpful comments and discussions on the current version of the paper.
Sebastian Eichfelder, Annette Kirstein, Michael Kvasnicka, Sven Wegner (faculty research seminar in Magdeburg
2017); Danny Blaustein, Orlin Yalnazov (PSEAP in Warsaw 2017) commented helpfully on an earlier version of
this paper. I am especially thankful to Roland Kirstein for the many fruitful discussions and his great support over
the years. Finally, I thank an anonymous referee and the editor Richard Watt for their very helpful reports and
comments. All remaining errors are my own.

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