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16 L. & Critique 1 (2005)

handle is hein.journals/lwcrtq16 and id is 1 raw text is: Law and Critique (2005) 16: 1                      © Springer 2005
DOI 10.1007/s10978-005-4900-2
JULIA CHRYSSOSTALIS and PATRICIA TUITT
INTRODUCTION
A search for new critical directions that begins from a sense that
critique has become stagnant - has fallen into crisis or malaise - is a
search that begins far too late. Critical stances, strategies and meth-
odologies must be continually rethought, reworked and resituated.
For critique, there can be no hope or promise of closure: it is fated to
occupy that enduring state of anxiety that accompanies the homeless,
the wayward or the dispossessed.
It was with the intention of revisiting some fundamental questions
about the critical instance that a group of scholars met in London in the
spring of 2002 to explore the objectives, aspirations and assumptions
that frame critical engagements with the law. The seminar brought
together individuals working on different critical agendas from a
variety of backgrounds and critical perspectives: philosophy, politics,
cultural studies, law and aesthetics, socio-legal studies, post-colonial
and critical race theory, law and gender, feminist and queer theory.
Though it would hardly be possible to represent the full range of
intellectual concerns in this short volume, we believe that the essays that
make up this volume have retained the productive restlessness that gave
the impetus to that early exploration. In various ways the essays
interrogate the notion of critique as exemplary judgement, question
narratives on the origins of the critical legal project itself, explore the
ontological distinction between nature and culture as it is expressed
in legal practice, problematise the idea of critique as resistance and
contemplate how contemporary constitutional forms have blunted
familiar modes of political struggle. Yet, to read these 'instances' of
critique as laying down a programme for a new direction in critique
would be at best misguided. These contributions are there not to enable
any particular critical position to take root, or to uproot others, but
rather to relish in the notion that critique has no anchor and is bereft of
friendships and allegiances. Like the meddlesome official who will not
allow the vagrant to lie still a while, these essays urge critique to pack up
its few possessions and keep on the move - surely a timely injunction,
especially at times when critique does not appear to have occasioned
any particular mischief?
JULIA CHRYSSOSTALIS AND PATRICIA TUITT

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