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9 JIJIS iii (2009)

handle is hein.journals/jijis9 and id is 1 raw text is: Contents M essage from the D irector ............................................................................................ v M essage from the Editors ......................................................................................... vi Plenary Session Papers CRIME AND POPULAR CULTURE: THEORY AND METHOD J eff F e rre ll ...................................................................................................................... 1 FROM HIP-HOP TO HATE ROCK: A CRIMINOLOGY OF THE GOOD, THE BAD, AND THE TRULY AWFUL M a rk H am m ................................................................................................................. 11 BRUCE SPRINGSTEEN, SOCIAL JUSTICE, AND THE POWER OF MUSIC C raig H em m ens ....................................................................................................... 19 EVIDENTIARY PRESENTATIONS AND FORENSIC TECHNOLOGIES IN THE COURTROOM: THE DIRECTOR'S CUT V incenzo A . S ainato .............................................................................................. 38 SOCIAL JUSTICE AND SOCIAL CONTEXT IN THE MUSIC OF JOHNNY CASH Kenneth Tunnell & M ark Ham m .............................................................................. 53 Panel Session Papers VIOLENT APPALACHIA: THE MEDIA'S ROLE IN THE CREATION AND PERPETUATION OF AN AMERICAN MYTH Viviana Andreescu & J. Eagle Shutt ...................................................................... 62 THE STUDENTS' PERCEPTION OF SEXUAL HARASSMENT AND SEXUAL ASSAULT DEMONSTRATED IN A STUDY OF DIFFERENT COMMUNICATION FORMS BETWEEN THE BOOK CLASS ACTION: THE STORY OF LOIS JENSEN AND THE LANDMARK CASE THAT CHANGED SEXUAL HARASSMENT LAWAND ITS FILM ADAPTATION NORTH COUNTRY T e-chuan C hang ...................................................................................................... 76 RIPPED FROM THE HEADLINES: THE USE OF REAL CRIME IN LAW& ORDER M arti C ecilia C ollins ............................................................................................... 88 HIP-HOP, NARCOCORRIDO, AND NEO-NAZI HATE ROCK: A COMPARISON OF ALIENATED CRIMINAL GROUPS G regg W . Etter, S r .................................................................................................. 98

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