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30 Cardozo Arts & Ent. L.J. 1 (2012)

handle is hein.journals/caelj30 and id is 1 raw text is: INTRODUCTION JUSTIN HUGHES This year marks the thirtieth anniversary of the Cardozo Arts and Entertainment Law journal, a law review that has been a trailblazer among specialized intellectual property law reviews and remains one of the country's most influential journals in IP and communications law. In honor of the occasion, the current editors of AELJ-you will pardon the familiarity, but at Cardozo the C is understood-have assembled this special issue. We celebrated the Journal's twentieth anniversary with a massive book, reprinting many of its most important articles from the first twenty volumes.' In contrast, this decennial celebration features new contributions from some of Journal's most cited authors in the past decade. Many of these pieces are reflections on and updates of the author's earlier contributions-a nice way to celebrate the Journal's past while looking toward the future. AELJDEVELOPED AS CARDOZO'S IP PROGRAM DEVELOPED When the Journal's inaugural issue was published in the spring of 1982, it opened with the following Statement of Purpose: During the past several decades the importance of the arts in American life has increased dramatically. Technological achievements have expanded communication capabilities and have created new legal relationships and issues. Many of the traditional legal concepts associated with arts and entertainment are being reexamined by legislators and courts. Few law school journals specialize in the area of entertainment and the arts and the Benjamin N. Cardozo School of Law seeks to fill this void. The Cardozo Arts & Entertainment Law journal will be a lively, issue-oriented forum for the exploration of current problems in the growing field of arts and entertainment law. Legal scholars, jurists, practicing attorneys and students will provide original articles on the full range of 1

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