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8 Crim. Just. 16 (1993-1994)
The Fine Art of Forgery, Theft, and Fraud: Corruption in the World of Art and Antiquities

handle is hein.journals/cjust8 and id is 84 raw text is: The Fine Art
of Forgery,
Theft, and Fraud
Corruption in the world
of art and antiquities
By ANTHONY J. DEL PIANO

espite the enormous
amounts of money in-
volved and the global
extent of the criminal
activity, crime in the
art and antiquities
market has received only minimal
attention from the American crim-
inal legal system. More resources
must be devoted to the investiga-
tion and prevention of these crimes,
which implicate drug and other or-
ganized criminal activity. More in-
formation should be made available
about the legal remedies at both the
state and federal levels to redress
the wrongs to victims and deter fur-
ther wrongdoing.
Sketching in the background
From the mid-1980s until the re-
cession in 1991, the international
and American art markets experi-
enced an art boom. Collectors
paid extraordinary prices for works
by impressionist, post-impression-
ist, and modern masters. Just be-
fore the recession undercut the
boom, Japanese paper magnate
Ryoei Saito set the world records
for highest prices paid for single
paintings when he bought van
Gogh's Portrait of Dr. Gachet for
$82.5 million and Renoir's At the
Moulin de la Galette for $78.1 mil-
lion. (Washington Post at D6 (March
23, 1992).)
The increased activity in the art
markets was echoed by an increase
in thefts, frauds, and forgeries of
every imaginable shape and form.
As the late Second Circuit Judge
Irving R. Kaufman observed:
The value of art, reflected in stag-
gering prices paid at auction...
has skyrocketed in recent years
With this increase in value
has come the inevitable increase
in theft and illegitimate trade. It
is not uncommon for purchasers
of fraudulently obtained art work
to make their acquisitions from
reputable art dealers and galler-
ies. (Hoelzer v. The City of Stam-
ford, 933 F.2d 1131 (2d Cir.
1991).)

M16

Criminal Justice

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